1. 00:17 24th Jul 2014

    Notes: 491

    Reblogged from theartofdanielcampos


    I added some original art from chrisvisions to the OOSA store. Look for Dead Letters pages to be added soon.


  2. 00:17

    Notes: 80

    Reblogged from nopenope

    image: Download


Intuition pool, 2013


    Intuition pool, 2013
  3. 00:17

    Notes: 111

    Reblogged from nopenope

    image: Download


austin lee
  4. 00:16

    Notes: 192057

    Reblogged from drooliasnott





    Yea it’s clearly our “generation that’s making homosexuality a trend.” Seriously, pisses me off when people say that. look at this! It’s always been around, it’s not a trend, it’s real. It’s beautiful.

    These are really beautiful images.

    This makes me really happy

    There’s a long history of lesbian-like activity in the West.  In the 19th century US, especially after the Civil War killed off so many young men, middle-class and other genteel girls were encouraged in Boston marriages — relationships with other women of similar educational and class backgrounds.  Since women were considered naturally chaste and disinterested in sex, these love affairs were seen as innocent and spiritual.  Women’s lives were wholly separate from men’s that young women infrequently had male friends who weren’t considered a marriage prospect.  They were encouraged to keep to all-female social circles, and the advent of women’s colleges further encouraged that.  Women were expected to mentor each other, love each other, dance with each other, with the older woman acting as the cavalier, the man in the relationship, protecting and guiding the younger, pursuing her and courting her in ways not unlike how young men would court their brides.  But the prevailing cultural wisdom was that these relationships would be limited to kisses and poetry — women were incapable of sexual desire, they tolerated sex in heterosexual marriages because men were sex-driven beasts who demanded it of them.  Without a man, it was presumed that these relationships would be chaste, innocent, and wholly emotional.  Lesbian-like behaviour is most tolerated when women are perceived as less sexual than men.  Homosexual behaviour becomes threatening when sex is involved — when, in the 1920s, women were seen as able to have sexual drives and the idea of sexually companionable marriages came onto the landscape, Boston marriages suddenly became unnatural and disgusting because they directed women’s sexual interests towards other women instead of to the proper channels: towards men.  The flapper was all about the sexually available (to men) young woman.  She contributed to the demise of widely accepted lesbian or lesbian-like relationships.  As soon as the flapper was capable of wanting sex herself instead of tolerating it from her male partner, lesbian/lesbian-like relationships were threatening, deviant, and ruined young women’s chances to become good wives and mothers.

    So remember this as you look at the pre-1920s images.  Those women were allowed these passionate loves, even encouraged in them (sometimes after they managed to get a husband, Eleanor Roosevelt in particular), all because the patriarchy was convinced that women weren’t capable of sexual feelings towards one another.  As long as women were seen as desexed, as creatures of sentiment and emotion instead of passion and desire, lesbianism wasn’t a threat.  The minute women were regarded by patriarchal culture as having a natural sex drive, lesbian-like behaviour became deviant and damning.

    We didn’t invent homosexuality in the past 20 or 30 or 50 years.  But we continue to labour under the belief and cultural expectation that women’s sexuality is something owed to and owned by men, forever de-legitimising women’s relationships unless men in some way benefit. 

    (Source: babycocodill)

  5. 00:15

    Notes: 1970

    Reblogged from dirty-fuckin-hippie

    (Source: harajunki3)

  6. 00:15

    Notes: 10182

    Reblogged from dirty-fuckin-hippie

    image: Download


katharina grosseuntitled, 2004


    katharina grosse
    untitled, 2004

  7. 00:14

    Notes: 12718

    Reblogged from dirty-fuckin-hippie


    Shy & Sad Spring

    Natalie Foss

  8. 00:13

    Notes: 1615

    Reblogged from red-lipstick


    Marta Klonowska (b. 1964, Warsaw, Poland) - Animal sculptures made from shattered glass pieces. Represented by: Lorch + Seide Gallery.

  9. 00:12

    Notes: 6437

    Reblogged from dirty-fuckin-hippie

    (Source: audidas)

  10. 00:12

    Notes: 21

    Reblogged from wapiti3

  11. 19:05 23rd Jul 2014

    Notes: 26

    Reblogged from fehyesvintagemanga


Ooshima Yumiko


    Ooshima Yumiko

  12. 19:05

    Notes: 402

    Reblogged from 2headedsnake


    H. R. Giger

  13. 19:05

    Notes: 6537

    Reblogged from revyl

  14. 19:03

    Notes: 565

    Reblogged from spookypuke

    image: Download





    (Source: shittyweekend)

  15. 19:03

    Notes: 1398

    Reblogged from spookypuke